INFORMATION
www.crossingeurope.at
WE ARE LIKE PLANTS SEEKING THE LIGHT | Sara Piñeros
TAUCHEN / DIVE | Clemens Niel, Dominik Galleya Tendl
GREEN – TOMÁ IVANOV | Dominik Galleya Tendl
FREI WIE NIE – DJARO | Marlene Mang-Manger, Merlin Großmann
WAS EINE FAMILIE LEISTEN KANN | Sybille Bauer, AT 2021, 30 min
DER FAULTURM | Anatol Bogendorfer, AT 2020, 11 min
TARANTEL | Vivian Bausch, AT 2020, 12 min
SURVIVING GUSEN | Regie: Gerald Harringer, Johannes Pröll, AT 2021
FREI WIE NIE – DJARO | Marlene Mang-Manger, M. Großmann, AT 2020, 3 min
PARCOURIR | Florine Mougel, AT 2020, 6 min
Österreich 2021, black and white, tinted, 65 Minuten, ohne Dialog One-hundred years lie between Chaplin’s first feature-length film and Pfaffenbichler’s very loose interpretation of it. The Kid, filmed in 1920, is a story from the realm of the „lumpenproletariat“, a tragi-comic moral tale of an abandoned child and police brutality. 2551.01 is all of that, too—and is, after all, at a distance of 100 years and all kinds of breaks in cinematic history and countless wars from Chaplin’s bittersweet patchwork comedy. The director calls his toxic genre blend a “dystopic slapstick film.” Pfaffenbichler has already shaped two of his short films from Chaplin material, and the “daemonic screen” is his passion. ... Text ©sixpackfilm
www.crossingeurope.at/film/255101
zeitbasiertemedien.wordpress.com/2551-01
Crossing Europe 2021
1 bis 6. Juni 2021 an zahlreichen Spielstätten in Linz
Studierende, AbsolventInnen und Lehrende der Zeitbasierten Medien nehmen am Festival teil. 123 aktuelle Spiel-, Dokumentar- und Kurzfilme aus 40 verschiedenen Ländern warten darauf entdeckt zu werden, mit Highlights der aktuellen Festivalsaison, innovativem AutorInnenkino und regionalem Filmschaffen.www.crossingeurope.at
Studierende
WONDERFUL METEOR | Karol KensyWE ARE LIKE PLANTS SEEKING THE LIGHT | Sara Piñeros
TAUCHEN / DIVE | Clemens Niel, Dominik Galleya Tendl
GREEN – TOMÁ IVANOV | Dominik Galleya Tendl
FREI WIE NIE – DJARO | Marlene Mang-Manger, Merlin Großmann
AbsolventInnen
ZUHAUSE BEI MEINEN MÜTTERN | Vivian Bausch, AT/BR 2021, 40 minWAS EINE FAMILIE LEISTEN KANN | Sybille Bauer, AT 2021, 30 min
DER FAULTURM | Anatol Bogendorfer, AT 2020, 11 min
TARANTEL | Vivian Bausch, AT 2020, 12 min
SURVIVING GUSEN | Regie: Gerald Harringer, Johannes Pröll, AT 2021
FREI WIE NIE – DJARO | Marlene Mang-Manger, M. Großmann, AT 2020, 3 min
PARCOURIR | Florine Mougel, AT 2020, 6 min
Lehrende
SURVIVING GUSEN | Regie: Gerald Harringer, Johannes Pröll, AT 2021, Ton/Sounddesign und Musik: Wolfgang Dorninger ______________________________________________________________________________ Weltpremiere von Gastprofessor (2019 bis 2021) Norbert Pfaffenbichlers Film „2551.01“Österreich 2021, black and white, tinted, 65 Minuten, ohne Dialog One-hundred years lie between Chaplin’s first feature-length film and Pfaffenbichler’s very loose interpretation of it. The Kid, filmed in 1920, is a story from the realm of the „lumpenproletariat“, a tragi-comic moral tale of an abandoned child and police brutality. 2551.01 is all of that, too—and is, after all, at a distance of 100 years and all kinds of breaks in cinematic history and countless wars from Chaplin’s bittersweet patchwork comedy. The director calls his toxic genre blend a “dystopic slapstick film.” Pfaffenbichler has already shaped two of his short films from Chaplin material, and the “daemonic screen” is his passion. ... Text ©sixpackfilm
www.crossingeurope.at/film/255101
zeitbasiertemedien.wordpress.com/2551-01
Sujet Crossing Europe 2021
© Sara Piñeros „we are like plants seeking the light, 2020
© Norbert Pfaffenbichler